MetaPhysica Empirica II (Electronic Music No.21) was composed for performance in a large auditorium using the frequency range available to Creflex Productions (16 Hz to 36 Khz) with abilities of wide dispersal.
This composition is of orchestral dimensions with a total duration of just under 2 hours and exhibits the full potential of the development of harmony through the power of maintained control in Electronic Music.
The Composition consists of 5 environments , which can be performed independently in combinations detailed.
II in performance manifests its intention
Performance
The connection with the Architectural design Creflex NewLivingCity refers to the
optimum space for the performance of the composition - the open space of the buildings designed using GIS and Artif.
| Exist1 | Exist2 | Exist3 | Exist4 | Finale |
|---|---|---|---|---|
Harmony and its translation to related forms is central to MetaPhysica Empirica II
All Music has a function and inevitably supports a philosophy with its adherents
Just as all music has an aim then there is also the Implication of the Direction. In MetaPhysica Empirica II this revolves around the preparation for the implementation of The Criteria of Value
The range of the Influence of II is to developed in preparation for III
II extends its form through the Universality of its production
Structure in II is a development of the existarea - lifeline form of MetaPhysica Empirica I
II has the internal power to diffuse its nature
